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AK Jenkins, _Might be snakes there in that grass_
Calafia Sanchez-Touzé, _Mother Sprawling_, 2021
Sydney Mieko King, _Peggy, Hibachan and Miki_, 202
Jackie Marshall, _Blue Poppies_, 2021
Annie Wang, “My son’s leg was in plaster,” 2003
Anne Vetter, 'Shower', still from _Avinu Malkeinu_
Shala Miller, _Play_, 2020
Qiana Mestrich, 'Ecstatic Justice', from the serie
Naima Green, _Lindsay & Chanell, Aces of Diamonds_
Naima Green, _BUFU (Jasmine, Tsige, Katherine & So
Keisha Scarville, _Untitled (Photograph)_, 2020
Jennifer Calivas, _Self-Portraits while Buried_ (2
Gwen Smith, _Portal to the new wave using Far from
Wendy Small, _Blue Birds 11_, 2021

What to look at next

AN41_SP2_EnricoChicoDeLuigi _PattiSmith_02

Patti Smith for AnOther Magazine Autumn/Winter 2021

Ilya Lipkin photographer Isabelle Sayer Chanel Virginie Viar

Reflections

Glint in the Kindling book Michael Bailey-Gates photographer

A Glint in the Kindling by Michael Bailey-Gates

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I Belong To This, Curated by Justine Kurland

Naima Green. Lindsay and Chanell, Aces of Diamonds, 2019
Courtesy the artist and Huxley-Parlour Gallery
    • AK Jenkins, _Might be snakes there in that grass_
    • Calafia Sanchez-Touzé, _Mother Sprawling_, 2021
    • Sydney Mieko King, _Peggy, Hibachan and Miki_, 202
    • Jackie Marshall, _Blue Poppies_, 2021
    • Annie Wang, “My son’s leg was in plaster,” 2003
    • Anne Vetter, 'Shower', still from _Avinu Malkeinu_
    • Shala Miller, _Play_, 2020
    • Qiana Mestrich, 'Ecstatic Justice', from the serie
    • Naima Green, _Lindsay & Chanell, Aces of Diamonds_
    • Naima Green, _BUFU (Jasmine, Tsige, Katherine & So
    • Keisha Scarville, _Untitled (Photograph)_, 2020
    • Jennifer Calivas, _Self-Portraits while Buried_ (2
    • Gwen Smith, _Portal to the new wave using Far from
    • Wendy Small, _Blue Birds 11_, 2021