06
15
Image 2. Paolozzi, Real Gold 1972
Image 3. Paolozzi, Klokvormig Masker, 1946-47
Image 10. Paolozzi, Avant-Garde, 1970
Image 4. Paolozzi, Fun Fair, 1947
Image 12. Paolozzi, Le Robot Robert Voulait Aller
Image 6. Paolozzi, Diana as an Engine I, 1963 66
Image 7. Paolozzi, Conjectures to Identity, 1963 6
Image 9. Paolozzi, Horizon of Expectations Screen
Image 1. Paolozzi, Wittgenstein in New York
Image 11. Paolozzi, Allegro Moderato, 1974-76
Image 5. Eduardo Paolozzi, Cocktail Dress for Horr
Image 13. Paolozzi, Portrait of Richard Rogers, 19
Image 8. The Whitworth Tapestry, 1967
Hammer Prints Trial Proofs c 1950-2
1971_DjerbaDress_VAM

What to look at next

scan 5

Coach A/W17

2017_02_12_Another_Mag_DVF_129

Diane Von Furstenberg A/W17

3509041223_f3678ef342_b

Dakota Access Pipeline

SS11 - Dree Hemingway - Brighton

Margaret Howell

06
/
15

Uncovering Paolozzi's Forays into Fashion and Furnishings

Eduardo Paolozzi, Diana as an Engine I, 1963–6
Courtesy the British Council Collection © Trustees of the Paolozzi Foundation, licensed by DACS
    • Image 2. Paolozzi, Real Gold 1972
    • Image 3. Paolozzi, Klokvormig Masker, 1946-47
    • Image 10. Paolozzi, Avant-Garde, 1970
    • Image 4. Paolozzi, Fun Fair, 1947
    • Image 12. Paolozzi, Le Robot Robert Voulait Aller
    • Image 6. Paolozzi, Diana as an Engine I, 1963 66
    • Image 7. Paolozzi, Conjectures to Identity, 1963 6
    • Image 9. Paolozzi, Horizon of Expectations Screen
    • Image 1. Paolozzi, Wittgenstein in New York
    • Image 11. Paolozzi, Allegro Moderato, 1974-76
    • Image 5. Eduardo Paolozzi, Cocktail Dress for Horr
    • Image 13. Paolozzi, Portrait of Richard Rogers, 19
    • Image 8. The Whitworth Tapestry, 1967
    • Hammer Prints Trial Proofs c 1950-2
    • 1971_DjerbaDress_VAM